Thursday, September 25, 2014

O P E R A
  • Famous Arias @ French Institute Roof Terrace
Greek National Opera singers will perform tonight a recital on the roof terrace of the French Institute within view of the Acropolis. Eleni Voudouraki, Vassiliki Karagianni and Dimitris Kassioumis will sing arias from famous French operas including Charles Gounod's Faust, Georges Bizet's Carmen and Charles-Camille Saint-Saens' Samson and Delilah. Entrance is free to the public with vouchers that will be available on site an hour before the event begins.

B A L L E T 
  • Chopin in Love @ Thessaloniki Concert Hall
The Greek National Opera Ballet will perform the poetic ballet of the French award winning choreographer Jannik Boken, Chopin in Love, at the Thessaloniki Concert Hall, on September 27 and 28. Dancers will interpret the tragic love of Werther for Charlotte, and Chopin's charming and romantic music. Acclaimed pianist and artistic director of Thessaloniki Concert Hall, George Emmanuel Lazaridis will play the piano.


E X H I B I T I O N S
  • Heroes Are Dead @ State & Macedonian Museums
A group exhibition by 34 young artists based on the theme Heroes are Dead. Long Live the Heroes! is being held at the State Museum and the Macedonian Museum of Contemporary Art, in Thessaloniki, until October 4. The exhibition is part of the Action Field Kodra 2014. Heroism fascinates due to its close affinity with the overcoming of human limits. Young artists approach through their artwork the traces of the heroic paradigm and the rupture with it; they negotiate the inconsistencies of myths, of historical narratives and they propose new stratigraphies grounded on the imprint of the past, present and future.

  • Byron in Kefalonia @ Benaki Museum
In commemoration of the 190th anniversary from Lord Byron’s death, Benaki Museum hosts a solo exhibition of Jannis Psychopedis, until October 26. Psychopedis, by pure chance has spent the month of August for the last 15 years, in the village of Metaxata on Kefalonia, next to the house Byron inhabited for four months. Gazing always over the same landscape –which altered imperceptibly through the years- the artist created each August a series of painted images, always in metaphorical, as well as literal, contact with Byron and his spiritual presence.